At the beginning of the Russo-Japanese War of 1904–1905, Petropavlovsk took part in the Battle of Port Arthur, where she was lightly damaged by Japanese shells and failed to score any hits in return. On 13 April 1904, the ship sank after striking one or more mines near Port Arthur, in northeast China. Casualties numbered 27 officers and 652 enlisted men, including Vice AdmiralStepan Makarov, the commander of the squadron, and the war artistVasily Vereshchagin. The arrival of the competent and aggressive Makarov after the Battle of Port Arthur had boosted Russian morale, which plummeted after his death. (Full article...)
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Launch of Izmail in 1915
The Borodino-class battlecruisers (Russian: Линейные крейсера типа «Измаил») were a group of four battlecruisers ordered by the Imperial Russian Navy before World War I. Also referred to as the Izmail class, they were laid down in late 1912 at Saint Petersburg for service with the Baltic Fleet. Construction of the ships was delayed by a lack of capacity among domestic factories and the need to order some components from abroad. The start of World War I slowed their construction still further, as the imported components were often not delivered and domestic production was diverted into areas more immediately useful for the war effort.
Three of the four ships were launched in 1915 and the fourth in 1916. Work on the gun turrets lagged, and it became evident that Russian industry would not be able to complete the ships during the war. The Russian Revolution of 1917 halted all work on the ships, which was never resumed. Although some consideration was given to finishing the hulls that were nearest to completion, the three furthest from completion were sold for scrap by the Soviet Union during the early 1920s. The Soviet Navy proposed to convert Izmail, the ship closest to completion, to an aircraft carrier in 1925, but the plan was cancelled after political manoeuvring by the Red Army cut funding and she was eventually scrapped in 1931. (Full article...)
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A Finnish Maxim M/09-21 machine gun crew during the Winter War
The Winter War was a war between the Soviet Union and Finland. It began with a Soviet invasion of Finland on 30 November 1939, three months after the outbreak of World War II, and ended three and a half months later with the Moscow Peace Treaty on 13 March 1940. Despite superior military strength, especially in tanks and aircraft, the Soviet Union suffered severe losses and initially made little headway. The League of Nations deemed the attack illegal and expelled the Soviet Union from its organization.
The Soviets made several demands, including that Finland cede substantial border territories in exchange for land elsewhere, claiming security reasons – primarily the protection of Leningrad, 32 km (20 mi) from the Finnish border. When Finland refused, the Soviets invaded. Most sources conclude that the Soviet Union had intended to conquer all of Finland, and cite the establishment of the puppet Finnish Communist government and the Molotov–Ribbentrop Pact's secret protocols as evidence of this, while other sources argue against the idea of a full Soviet conquest. Finland repelled Soviet attacks for more than two months and inflicted substantial losses on the invaders in temperatures as low as −43 °C (−45 °F). The battles focused mainly on Taipale along the Karelian Isthmus, on Kollaa in Ladoga Karelia and on Raate Road in Kainuu, but there were also battles in Salla and Petsamo in Lapland. (Full article...)
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Tintin in the Land of the Soviets (French: Tintin au pays des Soviets) is the first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle as anti-communistsatire for its children's supplement Le Petit Vingtième, it was serialised weekly from January 1929 to May 1930 before being published in a collected volume by Éditions du Petit Vingtième in 1930. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Soviet Union to report on Stalin's government. Knowing of his intentions, however, the secret police of the OGPU are sent to hunt him down.
Bolstered by publicity stunts, Land of the Soviets was a commercial success in Belgium, and also witnessed serialisation in France and Switzerland. Hergé continued The Adventures of Tintin with Tintin in the Congo, and the series became a defining part of the Franco-Belgian comics tradition. Damage to the original plates prevented republication of the book for several decades, while Hergé later expressed embarrassment at the crudeness of the work. As he began to redraw his earlier Adventures in second, colour versions from 1942 onward, he decided against doing so for Land of the Soviets; it was the only completed Tintin story that Hergé did not reproduce in colour. Growing demand among fans of the series resulted in the production of unauthorised copies of the book in the 1960s, with the first officially sanctioned republication appearing in 1969, after which it was translated into several other languages, including English. Critical reception of the work has been largely negative, and several commentators on The Adventures of Tintin have described Land of the Soviets as one of Hergé's weakest works. (Full article...)
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In December 2016, over 70 people died of methanol poisoning in the Russian city of Irkutsk. Precipitated by the consumption of adulteratedsurrogate alcohol, it was the deadliest such incident in Russia's post-Soviet history.
Russian consumption of surrogate alcohol rose rapidly in the early 2010s amid worsening economic conditions. Surrogates cost less than government-regulated vodka and were commonly available from supermarkets, small shops, and vending machines. In the Irkutsk incident, people drank hawthorn-scented bath oil with the brand name boyaryshnik. While the product was typically made with and labeled as containing drinkable ethanol, at least one batch was made instead with a toxic amount of methanol. The resulting poisoning led to dozens of casualties and deaths among residents of the Novo-Lenino neighborhood in Irkutsk. A subsequent government investigation found that the surrogate alcohol's producer sourced the methanol from an employee of a local windshield washer fluid production facility. In response to the poisoning, in mid-2017 the Russian government increased legal punishments for illegally producing and selling alcohol and made it more difficult to acquire surrogate alcohols. (Full article...)
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Extent of Ali Bey and Zahir's territory between 1768 and 1774 and Russian naval movements in the Levant, based on the accounts of Sauveur Lusignan, a contemporary historian Beirut was twice occupied during the Russo-Turkish War of 1768–1774 by squadrons of the Imperial Russian Navy's Mediterranean Fleet, first in June 1772 and second from October 1773 to early 1774, as part of its Levant campaign. Russia's main objective in this campaign was to assist local forces led by Egypt's autonomous ruler, Ali Bey al-Kabir, who was in open rebellion against the Ottoman Empire.
Russia, led by Catherine the Great, was pressing the Ottomans in Europe. Ali took advantage of the Empire's preoccupation with Russia to declare Egypt's independence; in 1771 he sent an army led by Muhammad Bey Abu al-Dhahab to occupy Ottoman territory in the Levant. Abu al-Dhahab unexpectedly returned to challenge Ali for control of Egypt. Ali requested Russian military assistance against both his rival and the Ottomans. When this aid, in the form of a small Russian squadron, arrived in the region, Ali had already fled Egypt and taken refuge in Acre, the power base of his ally, Zahir al-Umar. After helping repel an Ottoman offensive on Sidon, the Russian squadron sailed for Beirut. They bombarded the town in June 1772 and occupied it from June23 to 28. (Full article...)
Khrushchev was born in 1894 in a village in western Russia. He was employed as a metal worker during his youth, and he was a political commissar during the Russian Civil War. Under the sponsorship of Lazar Kaganovich, Khrushchev worked his way up the Soviet hierarchy. He originally supported Stalin's purges and approved thousands of arrests. In 1938, Stalin sent him to govern the Ukrainian SSR, and he continued the purges there. During what was known as the Great Patriotic War, Khrushchev was again a commissar, serving as an intermediary between Stalin and his generals. Khrushchev was present at the defense of Stalingrad, a fact he took great pride in. After the war, he returned to Ukraine before being recalled to Moscow as one of Stalin's close advisers. (Full article...)
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Maria Vasilievna Trubnikova (Russian: Мари́я Васи́льевна Тру́бникова, néeIvasheva [Ивашева]; 6 January 1835 – 28 April 1897) was a Russian feminist and activist. Of mixed Russian and French heritage, Trubnikova was orphaned at an early age and subsequently raised by a wealthy relative. She married at 19; she and her husband, Konstantin, had seven children. In adulthood, Trubnikova hosted a women-only salon which became a center of feminist activism. She also maintained international connections to fellow feminists in England, France, and other countries. Alongside Anna Filosofova and Nadezhda Stasova, whom she mentored, Trubnikova was one of the earliest leaders of the Russian women's movement.
Together, the three friends and allies were referred to as the "triumvirate". They founded and led several organizations designed to promote women's cultural and economic independence, including a publishing cooperative. Subsequently, they successfully pushed government officials to allow higher education for women, although continuing opposition meant that their successes were sometimes limited or reversed. In later life, Trubnikova experienced severe illness and personal difficulties; she died in 1897. (Full article...)
The ship was torpedoed during the Japanese surprise attack on Port Arthur during the night of 8/9 February 1904 and grounded in the harbour entrance when she attempted to take refuge inside, as her draft had significantly deepened from the amount of water she had taken aboard after the torpedo hit. She was refloated and repaired in time to join the rest of the 1st Pacific Squadron when they attempted to reach Vladivostok through the Japanese blockade on 10 August. The Japanese battle fleet engaged them again in the Battle of the Yellow Sea, forcing most of the Russian ships to return to Port Arthur after their squadron commander was killed and his flagship damaged. Retvizan was sunk by Japanese howitzers in December after the Japanese gained control of the heights around the harbour. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
Modern interpretation of Rus'Varangians and their longships in Gardariki, by Nicholas Roerich. The Caspian expeditions of the Rus' were military raids undertaken by the Rus' between the late 9th century and c. 1041 on the Caspian Sea shores, of what are nowadays Iran, Dagestan, and Azerbaijan. Initially, the Rus' appeared in Serkland in the 9th century travelling as merchants along the Volga trade route, selling furs, honey, and slaves. The first small-scale Viking raids took place in the late 9th and early 10th century. The Rus' undertook the first large-scale expedition in 913; having arrived on 500 ships, they pillaged in the Gorgan region, in the territory of present-day Iran, and more to the west, in Gilan and Mazandaran, taking slaves and goods. On their return, the northern raiders were attacked and defeated by the Khazars in the Volga Delta, and those who escaped were killed by the local tribes in the middle Volga.
During their next expedition in 943, the Rus' captured Bardha'a, the capital of Arran, in the modern-day Republic of Azerbaijan. The Rus' stayed there for several months, killing many inhabitants of the city and amassing substantial plunder. It was only an outbreak of dysentery among the Rus' that forced them to depart with their spoils. Sviatoslav, prince of Kiev, commanded the next attack, which destroyed the Khazar state in 965. Sviatoslav's campaign established the Rus's hold on the north-south trade routes, helping to alter the demographics of the region. Raids continued through the time period with the last Scandinavian attempt to reestablish the route to the Caspian Sea taking place in c. 1041 by Ingvar the Far-Travelled. (Full article...)
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
An aerial view of the Field of Mars, a large park in central Saint Petersburg, Russia, pictured in 2016. It is named after Mars, the Roman god of war. The park's history goes back to the 18th century, when it was converted from bogland and named the Grand Meadow. Later, it was the setting for celebrations to mark Russia's victory over Sweden in the Great Northern War. Its next name, the Tsaritsyn Meadow, appears after the royal family commissioned Francesco Bartolomeo Rastrelli to build the Summer Palace for Empress Elizabeth. It became the Field of Mars during the reign of Paul I. Towards the end of the 18th century, the park became a military drill ground, where they erected monuments commemorating the victories of the Russian Army and where parades and military exercises took place regularly. After the February Revolution in 1917, the Field of Mars became a memorial area for the revolution's honoured dead. In the summer of 1942, as the city was besieged by the German army in the Siege of Leningrad, the park was covered with vegetable gardens to supply food. An eternal flame was lit in the centre of the park in 1957, in memory of the victims of various wars and revolutions.
A map detailing the events of the 2008 South Ossetia war, which began one year ago today, when Georgia launched an operation in the disputed region of South Ossetia. Ossetian, Russian, and Abkhazian forces ejected the Georgian forces after five days of heavy fighting. All parties reached a ceasefire agreement on August 12, and Russian troops remain stationed in Abkhazia and South Ossetia to this day.
Maxim Gorky (1868–1936) was a Russian political activist and writer who helped establish the Socialist Realism literary method. This portrait dates from a trip Gorky made to the United States in 1906, on which he raised funds for the Bolsheviks. During this trip he wrote his novel The Mother.
Charles Minard's Carte figurative (1869), which details the losses of men, the position of the army, and the freezing temperatures on Napoleon's disastrous 1812 invasion of Russia. Created in an effort to show the horrors of war, the graph "defies the pen of the historian in its brutal eloquence" and has been called the best statistical graphic ever drawn.
Sadko is a character in the Russian medieval epic Bylina. An adventurer, merchant and gusli musician from Novgorod, Sadko becomes wealthy with the help of the Sea Tsar, but is thrown in the sea when he fails to pay the Sea Tsar his due respects. This story was widely adapted in the 19th century, including in a poem by Alexei Tolstoy and an opera by Nikolai Rimsky-Korsakov.
Shown here is Sadko in the Underwater Kingdom, an 1876 painting by Ilya Repin. It depicts Sadko meeting the Sea Tsar under the sea.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
Barge Haulers on the Volga is an oil painting on canvas completed between 1870 and 1873 by the realist artist Ilya Repin. It depicts eleven men physically dragging a barge on the banks of the Volga River. Depicting these men as at the point of collapse, the work has been read as a condemnation of profit from inhumane labor. Barge Haulers on the Volga drew international praise for its realistic portrayal of the hardships of working men, and launched Repin's career. It has been described as "perhaps the most famous painting of the Peredvizhniki movement [for]....its unflinching portrayal of backbreaking labor". Today, the painting hangs in the Russian Museum in Saint Petersburg.
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
Photograph credit: Arto Jousi; restored by Adam Cuerden
Yuri Gagarin (9 March 1934 – 27 March 1968) was a Soviet Air Forces pilot and cosmonaut who became the first human to journey into outer space; his capsule, Vostok 1, completed a single orbit of Earth on 12 April 1961. Gagarin became an international celebrity and was awarded many medals and titles, including Hero of the Soviet Union, his nation's highest honour. In 1967, he served as a member of the backup crew for the ill-fated Soyuz 1 mission, after which the Russian authorities, fearing for the safety of such an iconic figure, banned him from further spaceflights. However, he was killed the following year, when the MiG-15 training jet that he was piloting with his flight instructor Vladimir Seryogin crashed near the town of Kirzhach.
This photograph of Gagarin, dated July 1961, was taken at a press conference during a visit to Finland approximately three months after his spaceflight.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
The Last Day of Pompeii is an oil painting on canvas completed by the Russian artist Karl Bryullov between 1830 and 1833. The painting is based on sketches the artist completed in 1828 while visiting Pompeii, a city destroyed by the eruption of Mount Vesuvius in 79 AD. It is now held in the State Russian Museum.
... that after Peter the Great's reform of the Russian military, serf recruits were, and their children born after the recruitment were liberated, with the boys being sent to specially created Garrison schools?
November 19, 1825 - Alexander I of Russia died of typhus. The army swore allegiance to his eldest brother, the Grand Duke Konstantin Pavlovich. Constantine, however, following Alexander's choice of successor, swore allegiance to his younger brother, Nicholas I.
Dressed herring, colloquially known as herring under a fur coat or furry herring (Russian: "сельдь под шубой", romanized: "sel'd pod shuboy" or "селёдка под шубой", "selyodka pod shuboy"), is a layered salad composed of diced spekesild covered with layers of grated boiled eggs, vegetables (potatoes, carrots, beetroots), chopped onions, and mayonnaise. Some variations of this dish include a layer of fresh grated apple while some do not.
A final layer of grated boiled beetroot covered with mayonnaise is what gives the salad its characteristic rich purple color. Dressed herring salad is often decorated with grated boiled eggs (whites, yolks, or both). (Full article...)
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.
Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art groupUNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in collaboration with Van Abbemuseum and leading worldwide scholars on the subject, established the Lissitzky Foundation in order to preserve the artist's legacy and to prepare a catalogue raisonné of the artist's oeuvre. (Full article...)
... that in August 2022, Igor Mangushev spoke on a stage in a Russian nightclub with what he said was the skull of a Ukrainian soldier killed in the Azovstal Iron and Steel Works?
I think Russian people are learning that democracy is not an alien thing; it's not a western invention. It's probably the most affordable mechanism to solve problems inside the country, inside the society because Putin proved to all of us that democracy has a world of alternatives, security forces and police and power abuse and that's why I think eventually the people of Russia will embrace democracy as the least costly institution to help them to solve their daily problems.
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![Image 9 Barge Haulers on the Volga Painting: Ilya Repin Barge Haulers on the Volga is an oil painting on canvas completed between 1870 and 1873 by the realist artist Ilya Repin. It depicts eleven men physically dragging a barge on the banks of the Volga River. Depicting these men as at the point of collapse, the work has been read as a condemnation of profit from inhumane labor. Barge Haulers on the Volga drew international praise for its realistic portrayal of the hardships of working men, and launched Repin's career. It has been described as "perhaps the most famous painting of the Peredvizhniki movement [for]....its unflinching portrayal of backbreaking labor". Today, the painting hangs in the Russian Museum in Saint Petersburg. More selected pictures](/wiki/File:Ilia_Efimovich_Repin_(1844-1930)_-_Volga_Boatmen_(1870-1873).jpg)
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