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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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Rioters besieging a bus in Tianshan, Ürümqi, attacking escaping Han passengers with sticks.
A series of violent riots over several days broke out on 5 July 2009 in Ürümqi, the capital city of the Xinjiang Uyghur Autonomous Region, in northwestern China. The first day's rioting, which involved at least 1,000 Uyghurs, began as a protest, but escalated into violent attacks that mainly targeted Han people. According to Chinese state media, a total of 197 people died, most of whom were Han people or non-Muslim minorities, with 1,721 others injured and many vehicles and buildings destroyed. Many Uyghurs disappeared during wide-scale police sweeps in the days following the riots; Human Rights Watch (HRW) documented 43 cases and said figures for real disappearances were likely to be much higher.
Rioting began following the Shaoguan incident, where false accusations of rape of a Han woman by Uyghur men led to a brawl between ethnic Han and Uyghur factory workers in Shaoguan, resulting in the deaths of two Uyghurs who were both from Xinjiang. The Chinese government claimed that the riots were planned from abroad by the World Uyghur Congress (WUC) and its leader Rebiya Kadeer. Kadeer denies fomenting the violence in her fight for Uyghur self-determination. (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
The Ming dynasty considered Tibet to be part of the Western Regions. While the Ming dynasty at its height had some degree of influence in Tibet, the exact nature of their relations is under dispute by modern scholars. Analysis of the relationship is further complicated by modern political conflicts and the application of Westphalian sovereignty to a time when the concept did not exist. The Historical Status of China's Tibet, a book published by the People's Republic of China, asserts that the Ming dynasty had unquestioned sovereignty over Tibet by pointing to the Ming court's issuing of various titles to Tibetan leaders, Tibetans' full acceptance of the titles, and a renewal process for successors of these titles that involved traveling to the Ming capital. Scholars in China also argue that Tibet has been an integral part of China since the 13th century and so it was a part of the Ming Empire. However, most scholars outside China, such as Turrell V. Wylie, Melvyn C. Goldstein, and Helmut Hoffman, say that the relationship was one of suzerainty, Ming titles were only nominal, Tibet remained an independent region outside Ming control, and it simply paid tribute until the Jiajing Emperor, who ceased relations with Tibet.
Some scholars note that Tibetan leaders during the Ming frequently engaged in civil war and conducted their own foreign diplomacy with neighboring states such as Nepal. Some scholars underscore the commercial aspect of the Ming–Tibetan relationship, noting the Ming dynasty's shortage of horses for warfare and thus the importance of the horse trade with Tibet. Others argue that the significant religious nature of the relationship of the Ming court with Tibetan lamas is underrepresented in modern scholarship. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
Between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties, there were (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
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Holotype skull shown from above (A), the right side (B), and below (C)
Xixiasaurus (/ˌʃiːʃiəˈsɔːrəs/) is a genus of troodontiddinosaur that lived during the Late CretaceousPeriod in what is now China. The only known specimen was discovered in Xixia County, Henan Province, in central China, and became the holotype of the new genus and speciesXixiasaurus henanensis in 2010. The names refer to the areas of discovery, and can be translated as "Henan Xixia lizard". The specimen consists of an almost complete skull (except for the hindmost portion), part of the lower jaw, and teeth, as well as a partial right forelimb.
Xixiasaurus is estimated to have been 1.5 metres (5 ft) long and to have weighed 8 kilograms (18 lb). As a troodontid, it would have been bird-like and lightly built, with grasping hands and an enlarged sickle-shaped claw on the second toe. Its skull was long, with a long, low snout that formed a tapering U-shape when seen from below. The frontal bone of the forehead was dome-like in side view, which indicates it had an enlarged braincase. It differed from other troodontids in that the front of the dentary bone of the lower jaw was down-turned. Unlike in most troodontids, the teeth of Xixiasaurus did not have serrations; instead, their carinae (front and back edges) were smooth and sharp. It was distinct among troodontids in having 22 teeth in each maxilla (in other genera the maxillary tooth count was either higher or lower). (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
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Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
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The field shortly after the start.
The men's road race, a part of the cycling events at the 2008 Summer Olympics, took place on August 9 at the Urban Road Cycling Course in Beijing. It started at 11:00 China Standard Time (UTC+8), and was scheduled to last until 17:30 later that day. The 245.4-kilometre (152.5 mi) course ran north across the heart of the Beijing metropolitan area, passing such landmarks as the Temple of Heaven, the Great Hall of the People, Tiananmen Square and the Beijing National Stadium. After rolling over relatively flat terrain for 78.8 km (49.0 mi) north of the Beijing city center, the route entered a decisive circuit encompassing seven loops on a 23.8 km (14.8 mi) section up and down the Badaling Pass, including ramps as steep as a 10 percent gradient.
The race was won by the Spanish rider Samuel Sánchez in 6 hours, 23 minutes, 49 seconds, after a six-man breakaway group contested a sprint finish. It was the first medal in the men's individual road race for Spain. Davide Rebellin of Italy and Fabian Cancellara of Switzerland, finishing second and third place with the same time as Sánchez, received silver and bronze medals respectively for the event. The hot and humid conditions were in sharp contrast to the heavy rain weathered in the women's road race the following day. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
... that a knife attack in Suzhou, China, led to the deletion of hundreds of ultranationalist posts from social media platforms?
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
... that China Miéville's novella This Census-Taker fluctuates between the first and third person to convey the trauma felt by the protagonist?
... that Ding Xuesong was the first female ambassador of the People's Republic of China?
... that between 2006 and 2007, Stacy Hollowell worked for basketball teams in Qatar, China, Bahrain and Lithuania?
Chinese aristocrat cuisine (Chinese: 官府菜; pinyin: guānfǔ cài) traces its origin to the Ming and Qing dynasties when imperial officials stationed in Beijing brought their private chefs and such different varieties of culinary styles mixed and developed over time to form a unique breed of its own, and thus the Chinese aristocrat cuisine is often called private cuisine. The current Chinese aristocrat cuisine is a mixture of Shandong cuisine, Huaiyang cuisine and Cantonese cuisine. As Beijing was the capital of the last three Chinese dynasties, most of the Chinese aristocrat cuisine originated in Beijing. Currently, there are a total of nine varieties of Chinese aristocrat cuisine. (Full article...)
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The Jokhang, with Barkhor Square in front
The Jokhang (Tibetan: ཇོ་ཁང།, Chinese: 大昭寺), or the Ra sa 'phrul snang gtsug lag khang, or Qoikang Monastery, or Zuglagkang (Tibetan: གཙུག་ལག་ཁང༌།, Wylie: gtsug-lag-khang, ZYPY: Zuglagkang or Tsuklakang), is considered the "heart of Lhasa". The Jokhang consists of a Tibetan Buddhist temple, its temple complex, and a Gelug school monastery. Located in Barkhor Square, it was built in c.640 by King Songsten Gampo to house the Jowo Mikyo Dorje, a statue of Akshobhya Buddha, brought to Tibet by his Nepalese queen, Bhrikuti. Another statue, the Jowo Shakyamuni, brought by his Tang Chinese queen Wencheng, is currently housed in the temple and the Jowo Mikyo Dorje is housed in the Ramoche, in Lhasa.
Many Nepalese and Indian artists and craftsmen worked on the temple's original design and construction. Around the 14th century, the temple was associated with the Vajrasana in India. In the 18th century the Qianlong Emperor of the Qing dynasty, following the Nepalese Gorkha invasion of Tibet in 1792, did not allow the Nepalese to visit this temple and it became an exclusive place of worship for the Tibetans. During the Chinese Cultural Revolution in Tibet, the Red Guards attacked the Jokhang temple in 1966 and for a decade there was no worship. During the Chinese development of Lhasa, the Barkhor Square in front of the temple was encroached. Renovation of the Jokhang took place from 1972 to 1980. In 2000, the Jokhang became a UNESCOWorld Heritage Site as an extension of the Potala Palace, which has been a World Heritage Site since 1994. (Full article...)
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Wu Zuguang (Chinese: 吴祖光; pinyin: Wú Zǔguāng; Wade–Giles: Wu Tsu-kuang; 21 April 1917 – 9 April 2003) was a Chinese playwright, film director and social critic who has been called a "legendary figure in Chinese art and literary circles". He authored more than 40 plays and film scripts, including the patriotic drama City of Phoenix, one of the most influential plays during the Second Sino-Japanese War, and Return on a Snowy Night, which is generally considered his masterpiece. He directed The Soul of the Nation, Hong Kong's first colour film, based on his own historical drama Song of Righteousness.
He was also well known as an outspoken critic of China's cultural policies, both of the Kuomintang (KMT) and the Communist governments, and was repeatedly persecuted as a result. He fled to Hong Kong in 1945 to avoid being captured by KMT agents, and returned to Beijing after the foundation of the People's Republic China in 1949. He was denounced as a "rightist" during the Anti-Rightist Campaign and performed hard labour in the "Great Northern Wilderness" for three years, and was again persecuted during the Cultural Revolution. His wife, the celebrated pingju actress Xin Fengxia, refused to divorce him and became disabled after undergoing beatings and penal labour. Despite these ordeals, Wu continued to criticize government censorship and to call for political freedom, and was widely admired for his moral conviction. (Full article...)
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The Han dynasty in 2 CE (brown), with military garrisons (yellow dot), dependent states (green dot), and tributary vassal states (orange dot) as far as the Tarim Basin in the western part of Central Asia. The Han dynasty (201 BCE – 220 CE) was the second imperial dynasty of China. It followed the Qin dynasty, which had unified the Warring States of China by conquest. It was founded by Liu Bang (Emperor Gaozu). The dynasty is divided into two periods: the Western Han (202 BCE – 9 CE) and the Eastern Han (25–220 CE), interrupted briefly by the Xin dynasty (9–23 CE) of Wang Mang. These appellations are derived from the locations of the capital cities Chang'an and Luoyang, respectively. The third and final capital of the dynasty was Xuchang, where the court moved in 196 CE during a period of political turmoil and civil war.
The Chongqing model was characterized in part by increased state control and the promotion of a neo-leftist ideology. It involved a sweeping and sometimes extrajudicial campaign against organized crime, and increased the security and police presence in the city. As a means of addressing declining public morality, Bo launched a "red culture" movement to promote Maoist-era socialist ethics. On the economic front, he actively courted foreign investment and focused on manufacturing for domestic consumption. The Chongqing model was also characterized by massive public works programs, subsidized housing for the poor, and social policies intended to make it easier for rural citizens to move to the city. (Full article...)
Yu-chien Kuan or Guan Yuqian (Chinese: 关愚谦; 18 February 1931 – 22 November 2018) was a Chinese-born German sinologist, writer and translator. The son of a high-ranking Chinese Communist Party official, he was denounced as a "rightist" and persecuted during the Anti-Rightist Campaign and the Cultural Revolution. This drove him to escape from China using a Japanese passport stolen from his workplace. He landed in Egypt and spent a year and half in prison for illegal entry, before being admitted to West Germany in 1969 as a political refugee.
In Germany, he earned a Ph.D. from the University of Hamburg, became a sinology professor at the university and served as an advisor to politicians including Chancellor Helmut Schmidt. He published 26 books, including ten co-authored with his wife, Petra Häring-Kuan. He also collaborated with Wolfgang Kubin to translate the works of Lu Xun into German. (Full article...)
The book received both acclaim and criticism by the public and by academics. It has been praised as a work that "shows more clearly than any previous account" the extent and brutality of the episode, while elements of Chang's analysis of the motivations for the events, Japanese culture, and her calculation of the total numbers killed and raped were criticized as inaccurate because of her lack of training as a historian. Chang's research on the book was credited with the finding of the diaries of John Rabe and Minnie Vautrin, both of whom played important roles in the Nanking Safety Zone, a designated area in Nanjing that protected Chinese civilians during the Nanjing Massacre. (Full article...)
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The Leader (Chinese: 领风者; pinyin: Lǐng fēng zhě) is a 2019 Chinese animatedweb series based on the life of German philosopher Karl Marx. Commissioned by the Chinese Communist Party, a production team was formed in 2016 which included propaganda departments, scholars of Marxism, and the Chinese Academy of Social Sciences. The series was announced in 2018 by the streaming service Bilibili as part of the celebration of the 200th anniversary of Marx's birth. The seven-episode series was created to attract young people to Marxism, and it was streamed weekly on Bilibili between January 28, and March 4, 2019. A webcomic version was produced by Zhong Jun, the series' chief scriptwriter.
The series' announcement attracted international interest, and its promotional video had over 200,000 views on its release day. It was primarily considered propaganda by the Western media, while Chinese viewers commented on Marx's good looks. The series had a mixed response; the first episode had over 2.8 million views in one day, and the series as a whole had at least 5.5 million views. Although it was criticized for poor animation, propagandism, and its depiction of Marx, it has sparked a discussion on Marxism and labor rights in China. (Full article...)
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Oei Hui-lan in 1922, with her son Yu-chang Wellington Koo Jr., photographed by Henry Walter Barnett
Both the parents of Oei Hui-lan hailed from the establishment: her father stemmed from one of the wealthiest families in Java, while her mother came from the 'Cabang Atas' aristocracy as a descendant of a Luitenant der Chinezen in Semarang's 18th-century Dutch bureaucracy. After an unsuccessful marriage with Caulfield-Stoker, she met Wellington Koo while in Paris in 1920. They married in Brussels the following year and first lived in Geneva in connection with the establishment of the League of Nations. In 1923, she moved with her husband to Beijing where he served as Acting Premier in the evolving republican Chinese state. During his second term (October 1926—June 1927), Wellington Koo also acted as President of the Republic of China for a brief period, making Oei Hui-lan the First Lady of China. The couple then spent time in Shanghai, Paris and London where Oei Hui-lan became a celebrated hostess. In 1941, she moved to New York where she died in 1992. (Full article...)
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
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The Chinese cruiser Jingyuan in August 1887 while in the Solent near Portsmouth
Both ships were assigned to the Beiyang Fleet. Jingyuan was part of a flotilla which toured ports during the summer of 1889. Jingyuan first saw action during the First Sino-Japanese War. At the Battle of the Yalu River on 17 September 1894, she was one of the surviving Chinese cruisers, although suffered fire damage. She was sunk the following February during the Battle of Weihaiwei from a shot fired from a captured Chinese fort. She sank upright in shallow water, and Admiral Ding Ruchang gave orders for her to be destroyed by a naval mine. She was raised the following year for scrap. (Full article...)
Lantian Man (simplified Chinese: 蓝田人; traditional Chinese: 藍田人; pinyin: Lántián rén), Homo erectus lantianensis) is a subspecies of Homo erectus known from an almost complete mandible from Chenchiawo (陈家窝) Village discovered in 1963, and a partial skull from Gongwangling (公王岭) Village discovered in 1964, situated in Lantian County on the Loess Plateau. The former dates to about 710–684 thousand years ago, and the latter 1.65–1.59 million years ago. This makes Lantian Man the second-oldest firmly dated H. erectus beyond Africa (after H. e. georgicus), and the oldest in East Asia. The fossils were first described by Woo Ju-Kan in 1964, who considered the subspecies an ancestor to Peking Man (H. e. pekinensis).
Like Peking Man, Lantian Man has a heavy brow ridge, a receding forehead, possibly a sagittal keel running across the midline of the skull, and exorbitantly thickened bone. The skull is small by absolute measure, and has narrower postorbital constriction. The teeth are proportionally large compared to other Asian H. erectus. The brain volume of the Gongwangling skull is about 780 cc, similar to contemporary archaic humans in Africa, but much smaller than later Asian H. erectus and modern humans. (Full article...)
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Hanpu (Chinese: 函普; pinyin: Hánpǔ), later Wanyan Hanpu (Chinese: 完顏函普), was a leader of the JurchenWanyan clan in the early tenth century. According to the ancestral story of the Wanyan clan, Hanpu came from Goryeo when he was sixty years old, reformed Jurchen customary law, and then married a sixty-year-old local woman who bore him three children. His descendants eventually united Jurchen tribes into a federation and established the Jin dynasty in 1115. Hanpu was retrospectively given the temple nameShizu (始祖) and the posthumous nameEmperor Yixian Jingyuan (懿憲景元皇帝) by the Jin dynasty.
Chinese historians have long debated whether Hanpu was of Silla, Goryeo, or Jurchen ethnicity. Since the 1980s, they have chiefly argued that he was a Jurchen who had lived in Silla, the state that had dominated the Korean peninsula until it was destroyed by Goryeo in 935. Western scholars usually treat Hanpu's story as a legend, but agree that it hints to contacts between some Jurchen clans and the states of Goryeo and Balhae (a state located between Jurchen lands and Silla until it was destroyed in 926) in the early tenth century. In Korea, a recent KBS history special treated Hanpu as a native Silla man who moved north and settled in Jurchen lands during the demise of Silla. (Full article...)
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Kiautschou Governor's Residence
Shinan District (Chinese: 市南区; pinyin: Shìnán Qū; lit. 'South City District') is an urban district of Qingdao, Shandong. It has an area of 30.01 square kilometres (7,420 acres; 11.59 sq mi), and had approximately 588,800 inhabitants as of 2019. Shinan is located in coastal hilled terrain, and has a temperate monsoon climate. Common features include moderate temperatures, moist air, abundant rainfall, and four distinct seasons. It is notable for its early 20th-century German architecture, unusual in Chinese cities.
In the mid-19th century the European powers forcibly opened China to foreign trade. Germany acquired the Kiautschou Bay concession from China in 1898, and substantially developed a fishing village they spelled "Tsingtao" (simplified Chinese: 青岛; traditional Chinese: 青島; pinyin: Qīngdǎo). The area built by the Germans falls into the part of Qingdao known today as Shinan District. (Full article...)
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Typhoon Maria at peak intensity on July 8
Typhoon Maria, known in the Philippines as Super Typhoon Gardo, was a powerful tropical cyclone that affected Guam, the Ryukyu Islands, Taiwan, and East China in early July 2018. Developing into the eighth named tropical storm of the 2018 Pacific typhoon season and passing the Mariana Islands on July 4, Maria strengthened into the fourth typhoon of the season and underwent rapid intensification the next day amid favorable environmental conditions. The typhoon reached its first peak intensity on July 6; subsequently, Maria weakened due to an eyewall replacement cycle, but it reintensified and reached a second, stronger peak intensity on July 9 with 10-minute sustained winds of 195 km/h (121 mph) and a minimum pressure of 915 hPa (mbar; 27.02 inHg). Over the next three days, it started to gradually weaken due to another eyewall replacement cycle and decreasing sea surface temperatures. After crossing the Yaeyama Islands and passing north of Taiwan on July 10, Maria ultimately made landfall over Fujian, China, early on July 11, before dissipating the next day.
Early in its lifetime, Maria brought winds of tropical storm force to Guam, damaging aircraft at Anderson Air Force Base and knocking out power across the island. Damage in Guam was valued at US$150,000. On July 10, Maria brought strong winds to Okinawa Prefecture, inflicting significant crop damage. Losses in the prefecture reached JP¥853.7 million (US$7.730 million). Simultaneously, Maria produced heavy rains and strong winds across Taiwan, killing one and injuring eight. Power to nearly 60,000 households was cut and agricultural damage was around NT$1.3 million (US$43,000). From landfall to dissipation, Maria impacted the Chinese provinces of Fujian, Zhejiang, Jiangxi, and Hunan with flooding rain and gusty winds. At least 510,000 people in coastal regions evacuated and one person was killed in Jiangxi. Around 9,300 houses and over 37,000 hectares (91,000 acres) of cropland were damaged. Schools and workplaces were closed in parts of Fujian and more than 200 flights were cancelled. Train and ferry services were also disrupted. Power outages were widespread in Fujian, where more than 320,000 customers lost power. Economic losses across China were about CN¥4.16 billion (US$629 million). (Full article...)
Image 14Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 34Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 41Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 42Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
Image 62Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 63Dragon Tea Pot, Republic of China (from Chinese culture)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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